- Artists


Ilaria Abbiento

laria Abbiento is a Neapolitan visual artist.
Her artistic practice, which has been dedicated to the sea for many years, is studded with image and matter and follows imaginary cartographic itineraries aimed at a poetic investigation of her inner ocean. Since the encounter with master Antonio Biasiucci and his “LAB \ for an irregular laboratory”, Ilaria took a research path of author photography

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Andrew Huston

Andrew Huston, born in the United Kingdom, is an American/Australian /British
artist. After 20 years in New York where he had a studio in Greenpoint, Brooklyn, he moved to Venice, Italy in June 2017 where he lives and works. Huston completed his bachelors’ degree at Parson School of Design in Paris, France and achieved his Masters in painting at Sydney College of Art in Sydney Australia.

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Anita Sieff

Her investigation is on love as feeling to be discovered, as motivation to act and as the understanding of the implication which drives humanity in its process towards awareness. It is the going beyond the self to encounter the other, that creates relationship. The relationship is therefore seen as a common space, a kind of laboratory  where, without loosing our identity, we aspire to communion.

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Izabela Bardhoshi

Izabela Bardhoshi (1992, Lezhe, Albania) graduated in Photography and Advertising Graphics in 2012 at Istituto Statale d’Arte V. Bellisario in Pescara; in 2021 she obtained a Second Level Diploma in Painting at the Academy of Fine Arts of L’Aquila.

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Ciriaco Campus

His research is characterized in the 1980s by the strong affirmative presentiality of matter, represented in the double guise of its “being,” in its immanence and its reference to “thinking itself” in a symbolic key. Since the 1990s, Campus’ work has been fully defined around social issues, seriality, staging, and true/false, using the devices of communication.

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Emilio Fantin

Emilio Fantin sets the conditions for a dialectical confrontation between different knowledges. He creates spaces and situations in which he invites people to share the non-geographical area of sleep and dreaming, an area in which intense dynamics of exchange are generated, in search of those special and hidden ties that animate the life of a community. Fantin extends his investigation to coma, a condition where the presence of a diffuse and impersonal consciousness seems to echo most. The latter, which conforms into different states generating continuous epiphanies, is at the heart of his poetics. Closely linked to the theme of consciousness is that of imagination, which he deepens through practices of interior improvisation, which reverberate in the idea of an aesthetics of the unperceivable.

Of his artistic research, Emilio Fantin pays particular attention to the pedagogical aspect; he pays great attention to the dialogue that is expressed as the Art of Conversation and to the concept of Invisible Community, where the poetic and evocative aspects of social living become everyday practice. In addition to various seminars and workshops in international art institutions and museums, he held a workshop on art and architecture in public spaces at the Politecnico di Milano (2005-2015}.

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Francesco Candeloro

Francesco Candeloro was born in 1974 in Venice, city where he studied and graduated from the Fine Arts Academy and in which he currently lives and works.
The artist places at the core of his very personal research the dimensions of light and colour, sign and shape, proportion, rhythm and movement and uses them as keys to deepen spatial and temporal dynamics. For Candeloro “art is a vision of the time”, vision which he translates through the transparencies of the coloured plexiglass, his elective and most congenial material, employed for the realization of the various types of artworks of his articulated production.

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Judi Harvest

Judi Harvest, born in Miami, lives and works in New York and Venice. In 1973 she attended the Tyler School of Art at Temple University in Rome and the following year she graduated with honours from Barry University in Miami. From 1982 to 1984 she attended the Art Student’s League in New York and from 1985 to 1987 the New York Studio School. In 1987 she received his master’s degree (MFA) from the School of Visual Arts in Urbino, Italy. From 1987 to 1992 she lived and worked in Venice, Italy.

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Assia Karaguiozova

Assia Karaguiozova, designer artist.
Born in Sofia, Bulgaria, in 1978. She studied Economics and Commerce in Milan.She works in fashion, dealing with communication and organizing shooting for publishing and advertising, collaborating with world-renowned photographers.

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Margherita Morgantin

Margherita Morgantin was born in Venice in 1971; she graduated in Architecture at the I.U.A.V. Department of Technical Physics, studying methods of forecasting of natural light. She attended the Visual Arts course at the Ratti Foundation in Como in 2001. Her work is articulated in different languages ranging from drawing to performance. She has published a book of short texts and drawings: Titolo variabile, Quodlibet, Macerata 2009; Agenti autonomi e sistemi multiagente, with Michele Di Stefano, Quodlibet, 2012; Wittgenstein, disegni sulla certezza, Nottetempo 2016. She has participated in contemporary art exhibitions in Italy and abroad. She lives and works in Milan and teaches Anatomy at the Academy of Fine Arts in L’Aquila.

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Marta Sforni

Marta Sforni (Milan, 1966) studied architecture in Venice and painting in Milan. She is an internationally renowned artist: she debuted in Helsinki and then exhibited in London, Buenos Aires, New York City, Vienna, Berlin, Zurich. In Italy she has participated in numerous group and solo exhibitions in private galleries and public spaces and has been selected for the Eccellenti Pittori award. Some of her paintings are permanently exhibited at the Italian Embassy in Berlin and at Farnesina Collection in Rome. After a long stay in Berlin she is now living in Venice. Her lifelong research is rooted in the great period of Flemish still life, dedicated to transparency in painting and constantly sensitive to beauty that survives time.

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Marzio Zorio

His research develops on the creation of large-scale installations, in which the sound component is of fundamental importance, focusing on the spatial properties of sound and the relationship it has with the environment, architectures and human presence. He has participated in numerous solo and group exhibitions, in Italy and also abroad, including “Il terzo giorno” (2018) at the Palazzo del Governatore in Parma and Artissima Sound at the Ogr in Turin, dedicated to sound installations. In 2020 he won the #raccontoplurale award organized by the CRT Foundation of Turin with a video made during the first Coronavirus quarantine. In the field of music, he collaborated with Nicolas Jaar by making special musical instruments used for several concerts and in the album Telas (2020) and later with the production of a track for the album Caves – A Compilation of Silence, published by Jaar’s Other People label. In 2022 at the group exhibition “Biennale Tecnologia – Technology is Humanity” organized by the Polytechnic University of Turin, he won first prize with the work “Human Motions.” Recent solo and group exhibitions include: PRINCIPLES – BUILDING FOR GENERATIONS, Biennale Tecnologia, Politecnico di Torino, Turin (IT) (first prize with the work Human Motions) (2022); SUPERLAB, Bicocca Superlab, Milan (IT) (2022); CONDITION OF INSIEME – MAJORITY REPORT, Galleria 10 & zerouno Venice (IT) (2022); BIBLIOTECA, Palazzo delle esposizioni – Sala Santa Rita , Rome (IT) (2020); ARTISSIMA, Artissima Sound, OGR, Turin (IT) (2018).

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Maurice Nio

Maurice Nio (1959) graduated cum laude as an architect in 1988 at the Faculty of Architecture of the Delft University of Technology on a villa for Michael Jackson, the most curious final project of that year. This project has been of vital importance to his hybrid approach. Through a mixture of mythological and pragmatic mental processes, cryptic and at the same time utterly transparent design strategies, he has realized projects at BDG Architekten Ingenieurs (1991-1996), such as the enormous waste incinerator aviTwente. At VHP stedebouwkundigen + architekten + landschapsarchitekten (1997-1999) he realized the Zuidtangent, the longest highquality public transport line in Europe.

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Mauro Pipani

Mauro Pipani (born 1953 in Cesenatico Italy) lives and works between Cesena and Verona. He graduated in 1976 at the Academy of Visual Arts in Bologna under the supervision of professors Pompilio Mandelli and Maurizio Bottarelli. He started off back in 1972 with a group of young artists called “la Comune” directed by the Nobel Prize Dario Fo. In 1975 he founded, at the Academy of Visual Arts, an artistic movement called di ‘Via delle Bisce’, in which the artists, despite their own different languages, were united in the intent of producing social engaged art. In the 1970s he collaborated with “Sul Porto”, an art publication directed by Walter Valeri, Stefano Simoncelli and Ferruccio Benzoni. Pipani’s works are characterized by a stratification of materials (gauze, fabric, papers, metal fragments, etc.) and languages such as painting and word, normally accessing his works. Landscapes in balance between interiority and exteriority, reality and memory, local and global.

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Arianna Moroder

Arianna Moroder (1985) is a textile designer and artist living and working in Tuscany. During her studies in Milan, Amsterdam and Berlin, she focuses on the relation between crafts and industry and building a very vast set of manual skills, while at the same time growing her body of work and taking part in various exhibitions in galleries, museums and various events.

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Nataliya Chernakova

Chernakova’s multifaceted practice draws parallels between pre-historic, Renaissance, contemporary and post-Internet culture and its cult objects. The connections she draws are based in research on art forms as tools for manipulation of the crowd, the evolution of perception and the border between kitsch and fine arts.

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Pawel und Pavel

Pawel und Pavel are possible and always variable alter egos of their authors, the name is inspired by the polish artist Pawel Althamer.
Pawel und Pavel define themselves as scenographers of the mind, and work with the aim of developing situations and strategies
for objects separated from their community context.
Pawel und Pavel work is essentially a minimal and not ephemeral collective performative practice.
Tropici, presented in Rome in November 2013 at the Angelo Mai altrove occupato, welcomed their first public appearance.

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Giovanni Rizzoli

Giovanni Rizzoli was born in Venice in 1963; after the primary and lower secondary school and the first year of classical studies in high school in Venice, he lived his adolescence between Canada and Switzerland, attending Stanstead College in Québec, and at the École Nouvelle de Chailly in Lausanne. Between 1984 and 1985 he attended the Sotheby’s Works of Art Course in London, and from 1985 to 1987 he followed courses, also in London, at the Architectural Association and at the same time, for a brief period, at City and Guilds. In 1988 he lived in New York, where he frequented some of the leading artists of the time, including Not Vital, Saint Clair Cemin, Salvatore Scarpitta and Louise Bourgeois. While in New York he also attended a course in traditional Japanese painting. After returning to Italy, in 1991 he graduated in the History of Medieval Art at the Università Ca’ Foscari of Venice. He taught at the New York University in its Venice and New York premises.

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Shay Frisch

Shay Frisch was born in Petach-Tikva, Israel, and he lives and works in Rome. Frisch’s activities investigate energy through works that rely on an electrical current to generate an electromagnetic field that permeates the surrounding space. Frisch constructs his electromagnetic fields by assembling common electrical adapters in series, electrical conductors harnessed within modular repetitions and turned into living, pulsating matter by electricity.

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Tatiana Stropkaiová

Tatiana Stropkaiová (1993, Košice, Slovakia) graduated in Painting in 2016 from Technická Univerzita Košice, Faculty of Visual Arts, and received a Second Level Diploma in Painting in 2020 at the L’Aquila Academy of Fine Arts. Her artistic practice mainly moves between painting and performance.

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Tristano di Robilant

Tristano di Robilant, born in London in 1964, grew up in Italy and England. He graduated from the University of California at Santa Cruz, where he was influenced by the lectures of the architectural historian and critic Reyner Banham (1922 –1988). Tristano’s first solo exhibition was at the Holly Solomon Gallery in New York. He later collaborated with curator and gallerist Lance Fung on a series of glass sculptures entitled Domestic Temples, now part of the Sol LeWitt Collection. Invited by Giorgio Guglielmino to Calcutta, Tristano travelled repeatedly to Bengal to work on a series of silkscreens in collaboration with Pria Lall. Tristano has exhibited extensively both in Europe and in the United States, including at Annina Nosei’s gallery and the National Exemplar gallery in New York, Galleria Bonomo and Paolo Curti in Italy.

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Italo Zuffi

Italo Zuffi Imola, 1969. He lives in Milan.
Visual artist, works with performance, sculpture and writing.
In 2013 he founded the collective “Pawel und Pavel” with Margherita Morgantin.

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