- ArtVerona 2019

Beatrice Burati Anderson is pleased to invite you to ArtVerona #backtoitaly 15th edition – Pavilion 12, Booth I1


Mediterranean Sea painting - VENEZIA

Nocturne Perseus with arch - Andrew Huston

Mediterranean Sea painting - VENEZIA

Cartografia del mare - Ilaria Abbiento - WINTER SEAS

La linea estrema (“Marinerie” series) - Mauro Pipani

Il mare senza riposo (“Petrolio” series) - Mauro Pipani

L’Acqua Alta Ventennale - Andrew Huston - LAGUNA DURANTE

Laguna moon - Andrew Huston

L’intimo amico - Margherita Morgantin


La sabbia della Camargue (“Le vele” series) - Mauro Pipani

Seabstraction - Anita Sieff

Correnti gravitazionali - Ilaria Abbiento

Mediterranean Sea painting - VENEZIA

Cristalli corallini (“Latte liquide” series) - Mauro Pipani

Inviolability of the female body - Margherita Morgantin - HOPE!

Mediterranean Sea painting - VENEZIA

Mediterranean Sea painting - VENEZIA

A Theory of Social Symbolic Practice - Margherita Morgantin


Ilaria Abbiento

laria Abbiento is a Neapolitan visual artist.
Her artistic practice, which has been dedicated to the sea for many years, is studded with image and matter and follows imaginary cartographic itineraries aimed at a poetic investigation of her inner ocean. Since the encounter with master Antonio Biasiucci and his “LAB \ for an irregular laboratory”, Ilaria took a research path of author photography

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Andrew Huston

Andrew Huston, born in the United Kingdom, is an American/Australian /British
artist. After 20 years in New York where he had a studio in Greenpoint, Brooklyn, he moved to Venice, Italy in June 2017 where he lives and works. Huston completed his bachelors’ degree at Parson School of Design in Paris, France and achieved his Masters in painting at Sydney College of Art in Sydney Australia.

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Anita Sieff

Her investigation is on love as feeling to be discovered, as motivation to act and as the understanding of the implication which drives humanity in its process towards awareness. It is the going beyond the self to encounter the other, that creates relationship. The relationship is therefore seen as a common space, a kind of laboratory  where, without loosing our identity, we aspire to communion.

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Margherita Morgantin

Margherita Morgantin was born in Venice in 1971; she graduated in Architecture at the I.U.A.V. Department of Technical Physics, studying methods of forecasting of natural light. She attended the Visual Arts course at the Ratti Foundation in Como in 2001. Her work is articulated in different languages ranging from drawing to performance. She has published a book of short texts and drawings: Titolo variabile, Quodlibet, Macerata 2009; Agenti autonomi e sistemi multiagente, with Michele Di Stefano, Quodlibet, 2012; Wittgenstein, disegni sulla certezza, Nottetempo 2016. She has participated in contemporary art exhibitions in Italy and abroad. She lives and works in Milan and teaches Anatomy at the Academy of Fine Arts in L’Aquila.

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Mauro Pipani

Mauro Pipani (born 1953 in Cesenatico Italy) lives and works between Cesena and Verona. He graduated in 1976 at the Academy of Visual Arts in Bologna under the supervision of professors Pompilio Mandelli and Maurizio Bottarelli. He started off back in 1972 with a group of young artists called “la Comune” directed by the Nobel Prize Dario Fo. In 1975 he founded, at the Academy of Visual Arts, an artistic movement called di ‘Via delle Bisce’, in which the artists, despite their own different languages, were united in the intent of producing social engaged art. In the 1970s he collaborated with “Sul Porto”, an art publication directed by Walter Valeri, Stefano Simoncelli and Ferruccio Benzoni. Pipani’s works are characterized by a stratification of materials (gauze, fabric, papers, metal fragments, etc.) and languages such as painting and word, normally accessing his works. Landscapes in balance between interiority and exteriority, reality and memory, local and global.

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Tristano di Robilant

Tristano di Robilant, born in London in 1964, grew up in Italy and England. He graduated from the University of California at Santa Cruz, where he was influenced by the lectures of the architectural historian and critic Reyner Banham (1922 –1988). Tristano’s first solo exhibition was at the Holly Solomon Gallery in New York. He later collaborated with curator and gallerist Lance Fung on a series of glass sculptures entitled Domestic Temples, now part of the Sol LeWitt Collection. Invited by Giorgio Guglielmino to Calcutta, Tristano travelled repeatedly to Bengal to work on a series of silkscreens in collaboration with Pria Lall. Tristano has exhibited extensively both in Europe and in the United States, including at Annina Nosei’s gallery and the National Exemplar gallery in New York, Galleria Bonomo and Paolo Curti in Italy.

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